Steve's Inbox:  Cinema '04

 

by Steve Finkelstein


I’ve been pleasantly surprised to find that my cinematic critiques have generated some positive feedback.  I feel like Sally Field after she received her second Oscar:  “You like me!  You really like me!”  Anyway, enough of my gushing; let’s get down to the e-mails:

“Frain” writes:  GREAT reviews again!!  I agree with you about “Ray”—it definitely could have used some snipping here and there—and I think it would have been just as good if it had just a bit shorter!

Haven’t seen “The Incredibles”, but I doubt I will.

Do you ever get e-mails responding to your reviews?  (Like this one?  LOL.)  Just wondering—take care.

Frain issues a common complaint about contemporary movies:  overlength.  In Hollywood’s “golden days,” the studios dictated the length of the film, not temperamental directors.  This resulted in films that were perfectly attuned to how long an audience would sit on their collective tush.  The film moguls from the 30’s-50’s had an uncanny knack of gauging how long an audience would watch a movie before ennui set in.  Not so today.  Now, most spoiled directors have the contractual right of the “final cut,” which means that they determine the running time of the film.  Add to that the fact that many films are rushed through the editing room to meet a release date, and you have overlong, self-indulgent, bloated films.  A key example of this would be an overrated film from 2003:  Pirates of the Caribbean.  What should have been a very entertaining kid’s film was turned into gargantuan and overlong marathon, clocking in at 2 and 1/2 hours.  A half hour or more could have easily been cut, resulting in a better film.  This wouldn’t have happened in the past; unfortunately, in today’s self indulgent climate, it happens far too often.

As to Frain’s question if I got correspondence regarding my reviews, the letter that follows shows that I do.  It too is complimentary, shoring up the shaky self-esteem of this author.  (Just kidding about this; if anyone wants to take me to task on my opinions, feel free to e-mail me.)

In re to my “2004's Best Films” article, JP writes:

Hey, Steve:

Here are my top ten of 2004 (in no order at all):

The Incredibles
Spiderman 2
Ray
The Aviator
Sideways
Eternal Sunshine of the Spotless Mind
Million Dollar Baby
Kill Bill Two
Harry Potter And the Prisoner of Azkaban
I Heart Huckabees

And

Team America World Police (one of this author’s top 10), is the WORST film I saw in a theatre this year.

If you run a movie for 100 people, you are really running 101 movies—the one each of them is seeing in their heads plus the one on the screen.

P.S.:  Very well written review of “Aviator”, btw.

Since JP has done notable production work on films in the past, I was very flattered by his letter.  His disagreement with me on Team America, shows how subjective top ten lists can be.  Speaking of disagreements, though, I respectfully take issue with some of the choices on his list (and, for that matter some of the choices on Dileep’s list).  I feel that such films as The Incredibles, Eternal Sunshine of the Spotless Mind, Kill Bill: Vol. 2, Harry Potter and the Prisoner of Azkaban and House of Flying Daggers aren’t good enough to be on a top ten list.  If these films were made in the 70’s (the last truly great decade of cinema), they would be considered “throwaway” films, and would never be considered for a top ten list then.  The problem is, starting in the eary 80’s, the studios were taken over by conglomerates, and the quality of films have been in steady decline ever since.  I suppose in this new millennium of lowered expectations, films like The Incredibles come across like instant classics, but in days of better filmmaking, that wouldn’t have been the case.  It’s that same mentality that causes mainstream critics to overpraise obscure and pretentious foreign language films.  These films aren’t on the level of such great foreign directors as Kurosawa, Truffaut, Bergman or Fellini—they are more like something on the level of a film that details the plight of an Iranian pig farmer.  It’s just that the major studios churn out so much crap that these films look good by comparison, and are consequently overpraised.

At least that’s my take on it.

See ya soon.

Steve can be reached at steve@babblog.com.

Copyright © 2005, Babblog.  All Rights Reserved.

 

 


Authors:

 

Martell

  Jeff
  Oliver
  Rick
 

Dileep

 

Steve

 

Kristin

 

Brant

 

Ian

 
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